月に吠えよ、萩原朔太郎展（世田谷文学館） Sakutaro Hagiwara: Howl at the moon (Setagaya Literary Museum)

2022年は詩人の萩原朔太郎の没後180年にあたる。

萩原朔太郎大全2022という企画で、全国各地で様々な展覧会や特集展示会が行われた。

この世田谷文学館で行われた展覧会もその一つ。

萩原朔太郎の生涯を辿りながら、『月に吠える』や『青猫』などの代表的な作品とその直筆原稿、構想のノート、知人への手紙などを見ることができた。

他にも萩原朔太郎が撮影した写真や、マジックに興味を持っていたことなども紹介されていて、萩原朔太郎の人間性にも触れることができた。

萩原朔太郎の詩を、学生時代以来、初めて読み直してみたが、その独自の斬新な表現に改めて感心させられた。

萩原朔太郎は、詩の原理という評論も書いており、近代口語詩の優位性を論じる理論家でもあった。

萩原朔太郎には、西洋音楽、写真、映画という当時としてはモダンな趣味があり、大正という時代の雰囲気が色濃く感じられた。

The year 2022 marks the 180th anniversary of the death of poet Sakutaro Hagiwara.

Various exhibitions and special exhibitions were held all over the country under the plan of Hagiwara Sakutaro Taizen 2022.

The exhibition held at the Setagaya Literature Museum is one of them.

While tracing the life of Sakutaro Hagiwara, I was able to see representative works such as "Howl at the Moon" and "Aoneko" as well as their handwritten manuscripts, concept notes, and letters to acquaintances.

In addition, the photographs taken by Sakutaro Hagiwara and the fact that he was interested in magic were introduced, and I was able to touch on the humanity of Sakutaro Hagiwara.

I reread the poems of Sakutaro Hagiwara for the first time since I was a student, and I was once again impressed by his original and novel expression.

Hagiwara Sakutarō also wrote a critique called Principles of Poetry, and was also a theorist who argued for the superiority of modern colloquial poetry.

Sakutaro Hagiwara had modern tastes at the time, such as Western music, photography, and movies, and I could feel the atmosphere of the Taisho era.